Made for your footage, not pulled off a shelf
Stock is written for no one, so it fits no one. I start from your video, your brand, and what you want people to feel, and adjust until the first pass is right. It matches the cut, the pacing, and the tone you’re going for.
On your deadline, priced up front
Tell me the date you need it. I tell you before I start whether I can hit it and what it costs — in writing. No open-ended timelines and no surprise fees at the end.
Full buyout, yours to keep
When I deliver, it’s yours. Full buyout, all media, in perpetuity. No licensing terms to track, no cue sheets, no extra payment when the campaign runs longer or moves to a new channel.
Before you ask
"Isn’t custom slower and more expensive than a stock track?"
Not the way I work. You get a price and a delivery date up front, in writing, before anything starts. For most projects it’s faster than you’d expect and closer in cost to a good stock license than you’d think — without the risk of hearing your track in someone else’s spot.
"Will it fit our brand?"
Hear my range first, then I build to your brief. If the first pass isn’t right, I adjust until it is — you’re not locked into take one.
"Do we own it? Could there be a rights problem later?"
You own it. Full buyout, in writing, every time. No third-party samples, no clearances hanging over you, nothing that resurfaces when the campaign scales.
Selected work
A few of the brands and networks I've written music for.
- Mattel
- Sony
- HBO
- Microsoft
- Netflix
- Bravo
- Discovery
Start a custom project
Send the video and your deadline. You’ll get a price and a delivery date back — no obligation.
Start a custom project